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Career Handbook - Television, Video, and Motion Picture Camera Operators and Editors Working Conditions
Television, Video, and Motion Picture Camera Operators and Editors
Working Conditions

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Working Conditions

Working conditions for camera operators and editors vary considerably. Those employed in government, television and cable networks, and advertising agencies usually work a 5-day, 40-hour week. By contrast, ENG operators often work long, irregular hours and must be available to work on short notice. Camera operators and editors working in motion picture production also may work long, irregular hours.

ENG operators and those who cover major events, such as conventions or sporting events, frequently travel locally, stay overnight on assignments, or travel to distant places for longer periods. Camera operators filming television programs or motion pictures may travel to film on location.

Some camera operators—especially ENG operators covering accidents, natural disasters, civil unrest, or military conflicts—work in uncomfortable or even dangerous surroundings. Many camera operators must wait long hours in all kinds of weather for an event to take place and must stand or walk for long periods while carrying heavy equipment. ENG operators often work under strict deadlines.
 


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Data Source: Bureau of Labor Statistics, U.S. Department of Labor, Occupational Outlook Handbook, 2004-05 Edition